For you, what’s the most difficult part of cartooning? Of creating a story. Sometimes it’s not the amount of time required for such a huge workload. It’s a question of love. For how long can you love your story, for how long can you stay encouraged?
When I was a child I loved to draw with a charcoal, and I still think it’s a magical tool to create a mystery around different conceptual characters and special landscapes. It’s more like a hobby now.